Amongst
Platt’s earliest credits is a role as a schoolboy in the ITV Play of the Week instalment ‘A Touch of the Sun’ (26th
May 1959) which featured esteemed actors Michael Redgrave and Roger Livesey in
lead roles. It must have given him a taste for acting as Platt went on to study
at RADA, graduating in 1965. Like his fellow ‘Murrain’ co-star, David Neal, Platt was in the 1965 BBC production of Hereward the Wake broadcast from 12th September to 26th
December 1965. Platt’s character, Arnoul, would feature in three episodes. His
next small screen engagement was a return to ITV Play of the Week with the episode ‘Come Laughing Home’ (20th
December 1966), a comedy scripted by Keith Waterhouse and Willis Hall, which
featured Platt in the much more substantial role of Terry Fawcett.
Bernard Lee
had appeared in an episode of the anthology series The Gamblers and Platt also appeared in the series in the episode ‘The
Bridge’ (21st December 1967). Platt was credited as a German
character called Dieter alongside Brian Cox as an allied soldier called Mickey
in a story set during the 1944 Normandy Landings. For the next few years Platt
would appear in episodes of comedy series such as Doctor in the House and The
Fenn Street Gang with his next notable dramatic role coming in 1973 with The Roses of Eyam (12th June
1973). Written and directed by Don Taylor (who oversaw the Beasts episodes
‘During Barty’s Party’ and ‘Buddyboy’) this was a BBC play that told the story
of Eyam, a Derbyshire village which voluntary quarantined itself during the
time of the Black Death. This wasn’t to prevent the plague spreading to the
village as it was already infected. They quarantined themselves to stop the plague
spreading to nearby settlements and thus sentenced themselves to death with
over half of the village succumbing.
Platt’s only appearance in visual media for 1974 was one which has gathered a
cult following. The role was Irwin Ingham in the film Little Malcolm and His Struggle against the Eunuchs (1974) which
also provided an early role for John Hurt and was based on the play by David
Halliwell. After decades of being forgotten the film was resurrected and
presented to a new audience thanks to the British Film Institute’s series of
Flipside DVD and bluray releases. Platt’s appearance as Tom Start in ‘Murrain’ was his next TV role. Post-‘Murrain’
Platt appeared in an episode of the police drama Hunter’s Walk - ‘Missing’ (3rd August 1976) which was
directed by Richard Bramall (who oversaw the production of the Beasts episode ‘Special Offer’). Platt
was reunited with his ‘Murrain’ co-star David Simeon who was also a regular
cast member in Hunter’s Walk and
appeared in the episode as Detective Constable Mickey Finn.
The Children of the Green Forest, which was transmitted between 13th
November 1977 and 11th December 1977, was a rare recurring role with
Platt seen as the character Daniel in the first four of five episodes. He had
no TV or film appearances during 1978 but returned to the small screen
portraying Davy, the servant to Shallow in a BBC production of the Royal Shakespeare
performance of Shakespeare’s Henry IV
Part Two (16th December 1979). His ‘Murrain’ co-star, David
Neal, also featured in the cast as the Archbishop of York.
Roles really began to become very rare for Pratt
over the next few years and he made only a few more more appearances on the
small screen. The first of these was in episode two of the BBC period drama The Barchester Chronicles (17th
November 1982) in a small role as a clerk. Platt could later be seen in the
Royal Shakespeare Company production of Measure
for Measure which toured between 1983 and 1984 and versions of A Midsummer Night’s Dream and Twelfth Night during 1985. His next role
was in the Pauline Collins / John Alderton starring drama series Forever Green. It was a small role as a photographer
in the fifth episode of the first season (25th March 1989). The
final role I have found for Platt is playing an osteopath in ‘William the Great
Actor’ (27th November 1994) an episode of the 1990s BBC television
adaptation of Richmal Crompton’s Just
William.
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