Wednesday, 27 September 2023

Pauline Quirke (Noreen Beale in Special Offer)



Quirke was born on July 8th, 1959 in Hackney, London as Pauline Perpetua Quirke. She was the middle child with an older sister, Kitty, and a younger brother, Shaun. Her father had left when she was only young and so she was raised solely by her mother, Hettie, who worked hard taking jobs in catering and cleaning to provide for the family. Despite being an actor from the age of eight she is probably best known for her role as Sharon Theodopolopodous in the long running and highly successful comedy Birds of a Feather.

As a child she attended The Anna Scher Children’s Theatre in Islington which led her to be cast in a variety of film and television productions from an early age. Her closest friend at the theatre school was Linda Robson and both had also previously attended the same primary school. Robson is also well recognised for her role in Birds of a Feather. Quirke recalled how she became involved with the drama group when she was interviewed for the BBC Radio 4 programme Desert Island Discs; “It wasn’t a drama school, you went there after school twice a week, Monday and Wednesday, and as we got older we’d go on Friday which was the professional group. It was fun and it wasn’t about children wanting to be famous or be on telly. It was a club and if you happened to get a job on television from that then so be it.[1]


Quirke’s earliest role was as Molly in the Children’s Film Foundation science fiction short Junket 89 (1970) and this was followed by her first television role as a child arsonist in the Dixon of Dock Green episode 'Two Children' (9th January 1971). “The story was that there was myself and my younger sister, a little girl of about six or seven. I set fire to the house thinking that if I save my little sister my mum would love me more… but it went wrong and the fire went out of control.[2]” This role was followed by an appearance in fellow BBC police show Softly Softly: Task Force in another juvenile role in the episode 'Copper Wine' (1st December 1971).


The Play for Today instalment 'Eleanor' (12th December 1974), written by William Trevor, saw her undertake the role of the eponymous character, a withdrawn and bullied school girl, the first of many such characters she would portray on television. She could later be seen as a student in the Tomorrow People adventure “'he Blue and The Green' (4th – 25th February 1975). Her other roles for the year includes 'Optical Illusion' (1st October 1975), an episode of the children’s horror anthology series Shadows, in which she featured as part of a group of youngsters accidentally locked in a spooky house overnight and the ATV single play Jenny Can’t Work Any Faster (8th December 1975). Playing the eponymous character Quirke excelled as the young autistic girl who is given a job at her father’s business to prevent her from becoming withdrawn and isolated. It is likely that her role in Jenny led to be her been cast as in Beasts as Noreen Beale due to the shared traits of each role and both productions being produced by Nicholas Palmer. The play was well received with The Stage commenting “Mr Cooke’s play was a disturbing, authentic yet compassionate study of a personal inferno as vividly terrifying as Gustav Dore’s highly individual vision of hell.[3]” The review also singled out Quirke’s performance for praise: “Acting honours must belong to sixteen year old Pauline Quirke for her extraordinary achievement in simulating so expertly the exact characteristics of an autistic child: a highly detailed and abjectly moving performance.[4]” 

As well as TV work Quirke was also toiling away in the world of theatre. Tale of Three Cities, written by the Ethiopian playwright Gebre Asefaw, was performed at the Royal Court in December 1975. Quirke supported a cast headlined by Alan Armstrong, Jeremy Child and Peter Childs. Plays for Britain was a flagship series of productions transmitted on ITV. Quirke appears in the episode 'Sunshine in Brixton' (20th April 1976) playing the role of Marion in a script written by Brian Glover. Also featured in the cast are Jill Gascoigne in her pre-The Gentle Touch days as the mother of a teenage black youngster, Otis. Wrestler turned actor Sonny Caldinez was cast Gascoigne’s dodgy boyfriend and Quirke plays one of Otis’ classmates.



You Must Be Joking was a Thames Television comedy sketch show for children which utilised many young actors from the Anna Scher Children’s Theatre including Quirke. The series was produced by Roger Price, who also oversaw The Tomorrow People, which explains the presence of Mike Holoway and the band Flintlock in the episodes as well. Quirke appeared in several episodes between 1975 and 1976. Following her appearance in Beasts Quirke was given the chance to present her own comedy and entertainment series entitled Pauline’s Quirke’s (15th November – 20th December 1976). Roger Price was in the producer’s seat again and Flintlock and Mike Holloway kept popping in to join in the fun. The series was viewed as controversial at the time which Quirke felt was down to snobbery within the TV industry; 'I’ve got a strong London accent and I was presenting a children’ show. At that time there was Blue Peter on the BBC and there was Magpie on ITV, so it was fairly unusual for someone with a strong London accent to be presenting a children’s programme.[5]'

Next for Quirke was three episodes of the of the long-running BBC Schools programme Television Club playing the role of Pud in the storyline 'A Place Like Home'; 'Errol' (22nd February 1977), 'Pud' (8th March 1977) and 'Lydia' (26th April 1977). Having appeared in a BBC Schools programme earlier in the day Quirke would also feature in the BBC’s evening schedule with her second appearance in a BBC Play for Today, though her role as Helen in 'The Country Party' (26 April 1977) is much smaller than her debut in the drama anthology series. Her next role with the BBC was as Pearl in two episodes of the BBC period drama The Duchess of Duke Street;'Shadows' (5th November 1977) and 'Blossom Time' (10th December 1977).

Quirke started 1978, along with her colleague Linda Robson, with a magazine show involving guest interviews and current affairs items entitled Pauline’s People with Roger Price once more in the producer’s chair. The programme was successful enough to be granted a second series the following year. Also during the same year Quirke appeared in the Crown Court case 'The Greenhouse Girls' (October 1978) as Patsy Donovan, a girl staying at a probation hostel who accuses her warder of stealing from her.


Her first role in a sitcom came with the character Carole Richards, a bridesmaid, in the London Weekend Television series Lovely Couple (7th April – 30th June 1979). The series was written by Christopher Wood, who had scripted the James Bond film Moonraker and the hugely successful Confessions series of books under the pseudonym of Timothy Lea. Quirke then returned to work for ATV with the children’s drama series The Further Adventures of Oliver Twist playing Charlotte in nine episodes of the thirteen episode series (2nd March – 1st June 1980). She then stayed in the Victorian era for her film role as a prostitute in the David Lynch film The Elephant Man (1980). Her other television appearance for the year was in the Play for Today production 'Name for the Day' (16th December 1980) playing the role of Ann. The drama followed the mental illness of a man who enters hospital after a mental breakdown. Quirke’s next appearance was in another BBC Play for Today as Tessa in 'Baby Talk' (14th April 1981).

Her final appearance in a Play for Today production was a supporting role as a supermarket checkout girl (echoes of 'Special Offer') in 'Life After Death' (2nd February 1982). She was then cast as Eliza in the 1982 BBC adaptation of E. Nesbit’s The Story of the Treasure Seekers (6th January – 10th February 1982). Quirke also gained a role in the CBS crime and mystery series QED[6] which starred Sam Waterson as Quentin Everett Deverill, an American professor, solving curious cases in Edwardian England. Filmed in the UK the short lived series made good use of British acting talent including Julian Glover as Deverill’s arch nemesis Doctor Stefan Kilkiss. Quirke appears in the fifth episode, 'To Catch a Ghost' (20th April 1982), playing the character Jane. Her next film role was in the Alan Bates and Julie Christie starring The Return of the Soldier (1982).Quirke has a small role as a young woman searching a hospital.


Quirke had already had two guest roles in the two single episodes of the medical soap opera Angels during 1976 and 1980 before she was cast in the regular role of Nurse Vicky Smith. The character would appear in over 50 episodes between September 1982 and December 1983. After this Quirke was then off our screens for a few years. She returned in 1986 playing a cleaner in 'Who’s Ya Uncle Shelley' (20th November 1986), an episode of the comedy series Girls on Top. The following year she could be seen as Maggy in an epic length film adaptation of Dicken’s Little Dorrit (1987) headlined by Derek Jacobi. Next was a role in the Rockcliffe’s Babies episode 'Hearts and Flowers' (11th March 1988) and the same year she made another cinema appearance with the role of Doreen in Distant Voices Still Lives (1988).


This was followed by more steady work for Quirke, playing Veronica in the third and fourth seasons of Shine on Harvey Moon during 1984 and 1985. She also returned for the fifth season, broadcast 1995, appearing in the first two episodes. The series was written and created by Laurence Marks and Maurice Gran who would also create Birds of a Feather and it was thanks to appearing in Harvey Moon that Quirke and Robson were offered roles in the sitcom. Quirke explained the train of events on her episode of Desert Island Discs; “Linda was already doing Shine on Harvey Moon and they’d already done two series and I came in for the third series… They saw Linda and I working together really well and bouncing off each other. And from that they wanted to do another idea with Linda and myself. I believe Birds of a Feather came from an overheard conversation that Maurice heard of these two women. It was Christmas and they’d gone to have Christmas lunch at this posh hotel. He heard these two women talking and from what he gathered from their conversation was that they were married to two villains who taken the chance to coming back to England for Christmas. And that’s how they originally got the idea for Birds.[7]

Next was a guest role in the Casualty episode 'Living Memories' (21st October 1988) playing the role of Mary Taylor. Next came the one that the general public still readily identify her with as Sharon Theodopolopodous in the sitcom Birds of a Feather, which ran from 1989 to 1998 on BBC TV. Quirke’s real-life friend Linda Robson played her sister, Tracey Stubbs, who are forced to live together following their husbands imprisonment. Such was the popularity of the characters[8] that they were asked to appear in the 1996 Royal Variety Performance performing a small sketch. In 1990 the first ever British Comedy Awards were announced and presented during December. Quirke won the television comedy newcomer award, beating Vic Reeves, Imelda Staunton and Angus Deayton, for her role in Birds of a Feather.


The mystery thriller The Sculptress (24th February – 3rd March 1996) would reinvigorate Quirke’s career as a dramatic actress and provide her with one of her career signature roles. Based on the 1993 novel by Minette Walters the series cast Quirke as the central character Olive Martin, a twenty two stone morbidly obese woman who was imprisoned for life after killing and dismembering her mother and sister. Martin is befriended by a journalist who comes to suspect she is innocent though the truth is much more complicated. In many ways the role harks back to her damaged outsider roles of earlier years, but having spent so much time in sitcoms the audience had forgotten how good a dramatic actor she could be. For the role Quirke had to undergo extensive make up donning a specially cast and made body suit which was understandably physically demanding.

Her other roles during 1996 included the short film Waiting For Giro (1996). However, The Sculptress had added vigour to her career and she was able to shake off the shadow cast by the role of Sharon from Birds of a Feather and extend her drama CV in the coming years. The first sign of this resurgence was her casting as Sonia Williamson, opposite Ray Winstone as her husband Woody, in the intense single drama Our Boy (15th February 1998). Sonia and Woody lose their only son when he is killed in a hit and run accident and as the strain of the death starts to destroy their marriage new information comes to light about the real culprit behind the hit and run. Winstone won the Royal Television Award for Best Male Actor for his work as Woody whilst Quirke won the TV Quick best actress award for her role. More drama roles followed with Quirke undertaking the part of Madame Murielle in starry Carlton Television production of The Canterville Ghost (1997) and the black comedy Deadly Summer (30th November 1997) which cast her alongside Robson Green, Francesca Annis and Bob Peck.


Quirke was given her own prime time BBC crime drama vehicle when she undertook the title role of Maisie Rain, a police detective inspector with a no nonsense approach. Two seasons comprising of twelve episodes where broadcast between July 1998 and July 1999. Quirke wasn’t adverse to still taking on comedy roles despite her new found dramatic popularity. Real Women (26th February – 12th March 1998) was a feel good comedy drama which saw five childhood friends reunited for a hen night before one of them gets married. Co-starring alongside Michelle Collins and Frances Barber Quirke essayed the role of Mandy Evans. The series was successful enough to get to a second season (19th October – 9th November 1999) the following year. Seasonal one off drama Last Christmas (22nd December 1999) reunited Quirke with her Our Boy co-star Ray Winstone for a feel good fantasy drama about the dead father of a young boy visiting him as an angel. Quirke played the boy’s mum, Gwen. Daniel Radcliffe was the young David Copperfield (25th and 26th December 1999) for a costume drama festive treat from the BBC. Quirke was cast as Peggotty amongst a cast of talent that included Trevor Eve, Ian McKellen, Zoe Wannamaker and many others. 

Office Gossip (2nd February – 9th March 2001) was a forgettable middle of the road comedy series from the BBC which featured Quirke in the role of Jo. The series began with a satisfying six million viewers, but the ratings quickly dropped. However, Quirke was nominated for the Most Popular Comedy Performer at the National Television Awards due to her appearance in the series. Next was Arthur’s Dyke (2001) a one off comedy drama which saw Quirke portraying Janet, a fortysomething wife and mother undergoing a mid-life crisis, who joins a group of three men as they set off on a marathon walk. Quirke was then cast as Felia Siderova, a Latvian woman whose husband and child are missing, in 'The Glorious Butranekh' (3rd November 2001), an episode of the Reeves and Mortimer version of Randall and Hopkirk (Deceased). Quirke also appeared in the low budget British comedy film Redemption Road (2001) amongst a cast filled with familiar thespians such as Mark Benton, Neil Maskell and Annette Badland.

Her next role came in the crime anthology series Murder in Mind which again saw Quirke drawing upon her darker side to play another outsider character. 'Passion' (5th January 2002) opened the second season of the series with Quirke portraying Jane Saunders, a call centre worker who is obsessed with her boss Stephen Croft, played by Mark Womack. This leads her to kill the woman she suspects Croft of having an affair with and then framing his wife for the crime. Quirke plays the withdrawn and lonely figure of Saunders with aplomb and is absolutely terrifying when she is pushed over the edge.


Quirke’s main television role for the start of the new millennium was as Faith in the cosy Sunday evening BBC drama series Down To Earth (2000 – 2005). Faith is the wife of Brian, played by Warren Clarke, who have a holiday home in Devon which offers breaks to disadvantaged children. Quirke and Clarke headlined the series for three seasons before they left for pastures new and were replaced by Denise Welch and Ricky Tomlinson for a further two seasons of stories. This highlight was followed by a downturn in quality with the BBC series Being April (20th June – 1st August 2002) which had Quirke taking on the lead role of April, a woman with three children from three different marriages. Adding to the contrivance her former husband’s span the politically correct spectrum – a straight guy, a gay guy and an Indian guy – to try and give zest to the comedy drama. The programme was poorly received and lasted one season of six episodes.

Quirke was cast as Dixon in the BBC’s four-part period drama North and South during 2004 which was adapted from the novel by Elizabeth Gaskell. She also made her first of two appearances within a year in The Bill. Her first role was as Lesley Palmer in a block of episodes transmitted 14th – 29th September 2005 and this was followed with the role of Cath Wilson in two episodes (19th and 20th October 2005). The following year saw her take the role of the tyrannical and bullying Colleen McCabe, the titular character in the one-off drama The Thieving Headmistress (6th June 2006). The same year also saw Quirke’s second guest appearance in an episode of Casualty which came eight years since her first appearance. Quirke played Jackie Rogers in the episode 'No Place Like…' (2nd December 2006). Cold Blood 2 (5th March 2007) featured Matthew Kelly as the serial killer Brian Wicklow with Jemma Redgrave, John Hannah and Pauline Quirke as the policemen trying to solve where Wicklow’s last victim’s body is lying. A final sequel followed during June 2007.

Off screen Quirke launched her own academy for performing arts for children during September 2007. The Pauline Quirke Academy for Performing Arts which has now expanded into nearly two hundred towns and cities across the UK as of 2019. The centres do not provided standard mainstream education and instead focus on the arts. After the launch of her academy chain Quirke was back in a police uniform for the BBC series Missing, which followed the exploits of a missing person’s police unit led by Quirke as DS Mary Jane Croft. The first season of five episodes (16th March – 20th March 2009) was followed by a second season of ten episodes (15th March – 26th March 2010). Next was Needles (2010), a low budget British horror film, which sees Britain in the grip of a mystery epidemic. A vaccine is being developed and to quicken the process pupils at a girl’s school in Kent are given the medication as guinea pigs which leads to disastrous consequences… Quirke played the role of Jaqueline Ledley. She followed this with another role in a horror film, The Perfect Burger (2010).


On television Quirke joined the soap opera treadmill with the role of Hazel Rhodes in Emmerdale. She started in May 2010 and stayed until January 2012 clocking up appearances in over 200 episodes of the rural soap opera. Post-Emmerdale Quirke took a role in the short film Grace’s Story (2013) before being cast as Susan Wright in the first season of the successfully crime drama Broadchurch (7th August – 25th September 2013). The character then returned for two episodes of the second season (25th March and 1st April 2015). Following this was the role of Paula in the ten part Sky comedy series You, Me and the Apocalypse (30th September – 2nd December 2015). Her most recent appearance has her back in the role of Sharon in a new version of Birds of Feather which has switched channels from BBC One to ITV.

Quirke married television producer Steve Sheen in August 1996, who has credits including the comedy drama Arthur’s Dyke and the relaunched Birds of a Feather both of which star Quirke, and they have two children together; Emily, born in 1985, and Charlie, who arrived in 1994. Charlie is also an actor who has appeared in episodes of Casualty and the relaunched Birds of a Feather alongside his mother. In 2022 Quirke was awarded an MBE for services to young people, the entertainment industry and charity.


[1] Pauline Quirke interviewed by Sue Lawley on Desert Island Discs, 5th May 1996
[2] Pauline Quirke interviewed by Sue Lawley on Desert Island Discs, 5th May 1996
[3] “A Disturbing, Memorable Play” by Geoffrey Wren, The Stage, Thursday 11th December 1975, page 17
[4] “A Disturbing, Memorable Play” by Geoffrey Wren, The Stage, Thursday 11th December 1975, page 17
[5] Pauline Quirke interviewed by Sue Lawley on Desert Island Discs, 5th May 1996
[6] Not the BBC documentary programme
[7] Pauline Quirke interviewed by Sue Lawley on Desert Island Discs, 5th May 1996
[8] At its peak the series was attracting over 13 million viewers

Tuesday, 26 September 2023

Geoffrey Bateman (Colin Grimley in Special Offer)


Bateman learnt his craft at the Central School of Speech and Drama in London, enrolling in 1966. As a third year student he performed in the play The Matchmaker, staged at the Embassy Theatre, during October 1969. This production was followed with a staging of Tennessee Williams’ Orpheus Descending also at the Embassy during January and February 1970. Later in the year he took part in student productions of Paul Simon’s The Odd Couple over May 1970 and a revival of Pinero’s Trelawny of the Weeks at the Embassy during June 1970. After graduating Bateman quickly found regular employment as a member of the Nottingham Playhouse Company. Amongst the productions he appeared in as part of the company was a version of Christopher Fry’s play A Yard of Sun during August 1970. Bateman played the role of Piero Martini. This led to a version of Nicholas Nickleby over the months of December 1970 and January 1971 and a revival of Hamlet staged by the company at the Cambridge Theatre over January 1971. Bateman took the roles of Osric and Marcellus.

Bateman then left Nottingham and joined the company at the Liverpool Playhouse. Here he was a cast member of Saint Joan during October 1971 and Twelfth Night during November 1971, a notable production as it saw the dramatic acting debut of the comedian Ken Dodd. During December Bateman was a cast member of Signpost to Murder, and later in the month, the pantomime Beauty and the Beast playing the role of Arthur the Woodcutter in the production which ran until January 1972. Further productions at Liverpool Playhouse which benefitted from Bateman’s skills included Wait until Dark during February 1972 and The Lady’s Not for Burning during March. Bateman took the role of Hamlet in a production of Rosencratz and Guildenstern at the Liverpool Playhouse during May 1972. The cast also included future Beasts voice actor John Rhys Davies.

Bateman made his TV debut with a supporting role in the Public Eye episode 'The Trouble with Jenny' (14th February 1973) and this was followed with another small role, as a fireman, in the second episode (23rd July 1973) of the sitcom Spring and Autumn. Bateman’s main employment was still in the theatre and in this area he took part in a revival of Twelfth Night at the Playhouse in Harlow during September 1973 for the Cambridge Theatre Company. He was then back on pantomime duties between December 1973 and January 1974 in a version of Jack and the Beanstalk playing Miranda the Cow along with Kit Thacker. History does not note whether he played the front of back end of the cow!


February 1974 saw Bateman back on the television with the obligatory credit in Dixon of Dock Green in the role of Terry in the episode 'There’s Your Story, There’s My Story – And There’s The Truth' (16th February 1974). Bateman’s film debut came with a role in the Tony Richardson movie Dead Cert (1974), a thriller starring Judi Dench and Julian Glover. Bateman played a character called Everest. He also appeared alongside fellow Beasts actor Michael Kitching in The Bunker (1974) which also featured Anthony Hopkins playing Hitler in the last few days of his life. Bateman was on hand to play the supporting role of Riebold.

His screen roles for 1975 consisted of guest parts in popular dramas of the period; playing Wainwright in the Village Hall episode 'Friendly Encounter' (6th August 1975), taking on the role of Tommy Kelly in the Z Cars episode 'Innocent and Vulnerable' (20th January 1975) and Buchan in the Spy Trap instalment 'Look for the Ugly' (21st March 1975). In the world of theatre Bateman continued to be in demand with The Taming of the Shrew presented by the New Shakespeare Company. The production had a small tour taking in Bury St Edmunds, Bath and Swansea before transferring to the Open Air Theatre in Regent’s Park during May and June 1975 with Bateman taking the role of Hortensio. October 1975 saw him join the cast of a production of T S Eliot’s The Cocktail Party at Manchester Cathedral.


Prior to his appearance in 'Special Offer' Bateman guest starred as Philip Lightfoot in an episode of Coronation Street (5th May 1976) and played the character Simpson in the New Avengers story 'The Midas Touch'. His role in 'Special Offer' as the ill-fated store manager Colin Grimley was next. More theatre work kept him engaged throughout the year. During July 1976 he appeared in Weapons of Happiness by Howard Brenton, the first new play to be staged at the Lyttelton Theatre at the National. This was followed by They Are Dying Out for the National Theatre during September and October 1976 and a production of Jean Anouilh’s The Scenario at Billingham Forum during December 1976. Bateman played the role of Von Spitz. Bateman was absent from the television during 1977 and concentrated on stage roles though he returned the following year with the role of Claude Pettelain in the Secret Army episode 'Russian Roulette' (4th October 1978). He then moved on to the BBC period drama A Horseman Riding By playing Harold Eveleigh in the instalment '1916: The Profiteers' (26th November 1978). 


Next he played Charles James in the Crown Court storyline 'A Friend of the Family' (January 1979) and popped up in an uncredited role as the character Anson in The Professionals episode 'Backtrack' (3rd November 1979). His biggest role to date was as Gawain in the eight-part BBC production The Legend of King Arthur (7th October – 25th November 1979) and this was followed by one of his more well-known appearances playing Dymond in the Tom Baker era Doctor Who adventure 'Nightmare of Eden' (24th November – 15th December 1979). He finished the year with a small role as a disc jockey in the Shoestring episode 'I’m A Believer' (12th December 1979) and later popped up in the same role in the later episode 'Room with a View' (5th October 1980). His major role for 1980 was as Guildenstern in the BBC’s production of Shakespeare’s Hamlet, Prince of Denmark (10th November 1980).  

Bognor was an offbeat detective series based on the novels by Tim Heald. David Horovitch starred as Simon Bognor an investigator for the Board of Trade in the Thames Television series which failed to find an audience in the twice weekly slot also occupied by Armchair Thriller and Sapphire and Steel. Bateman appeared in two episodes as Elliston Gravelle – 'Deadline: Part Five – Good Luck Willy' (17th March 1981) and 'Deadline: Part Six – Hard Cheese on Eric' (19th March 1981). Screen roles were patchy the following year with only the role of Arthur Perrill in The Strangers storyline 'A Swift and Evil Rozzer' (15th September 1982) of note.

Granada Television’s prestige drama production of King Lear (26th January 1983) featured Sir Laurence Olivier as Shakespeare’s aging king alongside an all-star cast that included Diana Rigg, Robert Lindsay, Leo McKern, John Hurt and Brian Cox to name but a few. Bateman ably supported in the role of Oswald. During April and May 1983 Bateman could be seen in a version of Ibsen’s The Wild Duck at Manchester Royal Exchange Theatre. Bateman was next seen on screen playing the Prince of Wales in two episodes of the BBC drama series King’s Royal (3rd July and 17th July 1983). This was his last screen role for the year.


Into 1984 and Bateman appeared in the Thames Television drama series Miracles Take Longer playing Detective Sergeant Ross in three episodes of the second season (21st February, 12th March and 19th March). He also continued to undertake the occasional film role with the latest being the character Yevgeni in Another Country (1984). Amongst cult TV fans his stand out role for the year was in an episode of the children’s anthology series Dramarama. Bateman played The Cardinal in the episode 'Mr Stabs' (2nd July 1984), which featured the eponymous character played by Russell Hunter, and was developed from a previous appearance in the children’s fantasy series Ace of Wands. Bateman also made his first appearance in the police drama The Bill playing a pathologist in the episode 'It’s Not Such A Bad Job After All' (13th November 1984).

It would be another year before Bateman graced the screen. He returned in the first season of the BBC detective series Lovejoy (10th January – 14th March 1986), starring Ian McShane as the lovable rogue who deals antiques and solves crimes, Bateman appeared as fellow antiques dealer Dandy Jack. His other guest roles for 1986 were also with the BBC with appearances in episodes of The Collectors, 'The Great Ice Cream War' (22nd March 1986), and the drama Big Deal 'Innocent, OK' (4th November 1986). He also appeared in the French language film L’etat de grace (1986).



1987 would see Bateman more in demand than ever on television. He started the year as guest starring as Jack Webb in the Bergerac episode 'Thanks For Everything' (14th February 1987) which was followed only two days later with the role of Captain Betteridge in the Rumpole of the Bailey story 'Rumpole and the Bright Seraphim' (16th February 1987). For the BBC mini-series Dead Entry (18th February – 4th March 1987), which mixed ecology and Cold War espionage drama, he played the role of Richard Avery. More guest roles followed; Scott in the C.A.T.S. Eyes instalment 'Carrier Pigeon' (2nd May 1987), a police sergeant in 'Truth and Consequences' (20th September 1987), an episode of the sitcom Two Up, Two Down, the role of Julian Winter in 'The Price of Fame' (6th October 1987), an episode of detective series Pulaski, and playing a repo man in the Boon episode 'Trudy’s Grit' (3rd November 1987).

The following year was quieter, but it was in some ways it was the calm before the storm as Bateman would become a popular guest actor in many primetime television programmes as the 1980s rolled into the 1990s. Appearances during this period included TV movie A Shadow on the Sun (1988), playing Rafferty in 'Hunting the Squirrel' (8th November 1988), an episode of Eurocops, a small appearance as a bank manager in the second episode of Twist of Fate (9th January 1989) and portraying Marcus Waverley in 'The Adventure of Johnnie Waverley' (22nd January 1989), an episode of Agatha Christie’s Poirot. La Revolution Francaise (1989) was a six hour French television production which was transmitted in two parts and boasted an international cast. Attempting to tell the story and events leading up to the French revolution the production featured Klaus Maria Brandauer as Danton, Jane Seymour as Marie Antoinette as well as Peter Ustinov, Sam Neill and Claudia Cardinale in other roles. The production was shot in both English and French. Bateman has a small role as Clery. Bateman’s other roles for 1989 included playing Fuerbach in the television movie The Man Who Lived at The Ritz and appearing as Doctor Braun in 'Part Of Me' (12th August 1989), an episode of the American television horror anthology programme The Hitchhiker.

Drama series Making News featured Bateman in the role of Rupert in the episode 'The Border Limo' (23rd January 1990). Le Congres (8th August 1990) was a French television movie which featured Bateman in the role of Jackson. Back in the UK he made his second appearance in an episode of The Bill playing Michael Speers in 'Once A Copper' (16th August 1990). He also appeared alongside fellow Beasts actor Simon MacCorkindale in an episode of the US TV series Counterstrike. Bateman played Admiral Westgate in the episode 'Knights of Arram' (9th September 1990). He then made his first guest appearance in Casualty playing the role of Henry Carpenter in the episode 'Results' (14th September 1990). Bateman finished the year with a small role as an interviewer in the second episode of House of Cards (25th November 1990).

The year of 1991 was quieter. For the second season of The Chief Bateman appeared as Commissaire Toulin in two episodes (19th and 26th April 1991).For the American TV movie The Saint: The Blue Dulac (3rd November 1991) Bateman appeared as the character Unwin. He next appeared on TV as Douglas Quadrant in the two-part storyline 'From Doon with Death' (10th and 17th November 1991) for the series The Ruth Rendell Mysteries.



Next was Les amants du Tage (21st January 1992), a French TV movie version of the novel of the same name by Joseph Kessel which had been made into the film, The Lovers of Lisbon (1955), starring Trevor Howard. Bateman took Howard’s role as Inspector Lewis who is on the trail of a widow he suspects of killing her husband. This was his only film or television credit for the year. The following year he reteamed with the director of Les amants du Tage, David Delrieux, on another French television movie, Le Don (23rd June 1993), though his character did not have an onscreen name credit. Back in the UK Bateman then made a guest appearance as Mr Thorpe in an episode of Emmerdale (19th April 1994). Director Waris Hussein cast Bateman in the British Sky Broadcasting production Fall from Grace (2nd June 1994) playing the role of Metz. Just over three weeks later he then appeared in the Channel Four drama Little Napoleons playing Scott Kendall in the episode 'Sleeping With The Enemy' (28th June 1994). On the big screen he had a small role as a SWAT chief in the cult film Leon: The Professional (1994) for the director Luc Besson. His final credit for the year was playing a bogeyman in the short film Poisoned Ink (1994).



Napoleon (1995) was an Australian family movie which featured the adventures of a Golden Retriever puppy called Napoleon and his friend, a parrot called Birdo Lucci. Bateman provided the voice of a cat for the film. He was cast as The Duke of Wales for the American mini-series Buffalo Girls (1995) which starred Angelica Huston and Melanie Griffiths. More French cinema and television work followed with the film Au petit Marguery (1995)  and the TV series Coeurs caraibes (December 1995) with Bateman as the character Jim Owsborn. Next was the French film Barrage sur L’Orenoque (The Orinoco Dream) (1996) for director Juan Luis Bunuel, the son of the legendary surrealist director Luis Bunuel. Bateman played the character O’Connor.

Back in the UK Bateman appeared in the five-part Channel Four drama series Family Money (16th March – 6th April 1997) in the role of Felix, though his highest profile role of the year was as James Hooperman in the BBC drama This Life (18th March – 6th May 1996). The programme returned for a second season the following year (17th March – 7th August 1997) and Bateman reprised his role. He also guest starred as Richard Dunbar in 'Forgive Us Our Trespasses' (5th May 1997), an episode of the American fantasy series Highlander. More French cinema work was next with a role in Le septieme ciel (Seventh Heaven) (1997), the comedy Droit dans le mur (Straight into the Wall) (1997) and the French TV movie Le derniere ete (The Last Summer) (15th December 1997). British film work during this era included My Son the Fanatic (1997) which saw Bateman play Chief Inspector Fingerhut.

During 1998 and 1999 Bateman provided voice work for several video games; Vikings (1998), Hopkins FBI (1998) and Seven Games of the Soul (1999) portraying Mephisto. During the same period he appeared in the science fiction TV movie 30 Years to Life (15th October 1998) and in the Carlton production The Unknown Soldier (1st November 1998) as Lieutenant Colonel Powell. The French comedy films Une pour toutes (One for All) (1999) featured Bateman as an American lawyer whilst La Parenthese Enchantee (Enchanted Interlude) (2000) cast him as an English lawyer. Futurecast: Newborn (30th April 2000) was a fictional documentary which depicted a growing connected world which comes face to face with an artificial intelligence and the consequences of this creation. Bateman played politician Paul Mallory.



Vatel (2000) was a film by acclaimed director Roland Joffe with Gerard Depardieu as the eponymous character in a period drama set during the reign of the French king Louis XIV. Bateman played the role of Balmour amongst an international cast which also included Uma Thurman, Tim Roth and Hywel Bennett. His work in French cinema continued with a role in Mon Pere, il m’a Sauve la Vie (My Father Saved My Life) (2001) with Bateman in a small role as an American army officer. For the film Off Key (2001) Bateman portrayed the character Ivo. On French television Bateman could be seen as the Reverend George Travers in 'Hunted' (18th November 2001), an episode of the action adventure series Largo Winch. Next was another role for French cinema with his appearance as an American in the thriller Une Employee Modele (A Model Employee) (2002). Back in the UK Bateman made his second guest appearance in an episode of the BBC flagship drama Casualty when he appeared as Alan Woods in the episode 'It’s A Boy Thing' (2nd November 2002).

After a short on screen break Bateman returned with a role in the French short film La Methode Anglaise (The English Method) (2004), a twelve minute comedy drama with Bateman in the role of Mr Morison. This was followed by the French feature film L’Americain (The American) (2004) in which Bateman featured as an advisor to the President of the United States.


His major role onscreen role for 2005 was as Bertie in the feature film Manderlay for director for Lars von Triers. He followed this with voice work on a couple of video games; Heroes of Might and Magic V (2006) playing Lord Caldwell and Dark Messiah of Might and Magic (2006) as Necrolord Arantir. He next played a bank manager in the French thriller series The Avignon Prophecy (28th August – 18th September 2007) whilst on British television he appeared as David Harper in 'Pandemic' (4th October 2007), an episode of the drama series The Whistleblowers. He also appeared in The Mandrake Root (2008) a straight to video comedy set in 16th Century Italy featured Bateman in the role of Nicia. More video game voice over work included various voices for Empire: Total War (2009). He also supplied various character voices for the French children’s cartoon series Gawayn (2009).

French romantic comedy feature film L’arnacoeur (Heartbreaker) (2010) featured Bateman as the stepfather of Vanessa Paradis’ main character Juliette. This was followed by the French TV movie Les Nuits d’Alice (The Nights of Alice) (28th June 2011) with Bateman providing the supporting role of John. French thriller film Requiem Pour Une Tueuse (Requiem for a Killer) (2011) cast Bateman as the CEO of a British oil company and for French television Bateman appeared as Greenfield in La Vie en Miettes (Life In Crumbs) (7th June 2011). French romantic comedy Un Bonheur N’arrive Jamais Seul (Happiness Never Comes Alone) (2012) cast Bateman as Bill, an administrator. More video game voice over work followed with Bound by Flame (2014), which continued his association with Franco associations as the game was made by a small French company, and Furi (2016) an independent sci-fi based action game. His most recent role has helped to revitalise him in the public eye when he played Bishop Bossuet in the BBC prestige period costume drama Versailles which accumulated two season in 2015 and 2017.



Monday, 25 September 2023

Richard Bramall (Director - Special Offer)


Richard Nicholas Bramall originally trained as an actor at the Guildhall School of Music and Drama, London and had credits in theatre during the 1960s. Bramall later turned his hand to stage direction with credits including Big Night for Sherlock, produced by Oldham Rep and staged at the Oldham Coliseum, during September 1968.



After being chosen as one of five trainees Bramall started as a director at ATV during the early 1970s debuting with a pair of ITV Sunday Night Drama productions; 'The Crib' (26th December 1971) and 'The Sanctuary Man' (7th May 1972). He was then approached by producer Alan Coleman to direct the children’s fantasy drama series Escape into Night (19th April – 24th May 1972), based on the book Marianne Dreams by Catherine Storr. The production captivated its audience due in part to the astute direction of Bramall and has gathered a cult following over the years by word of mouth. Coleman then appointed Bramall as one of the director’s on the anthology series Late Night Theatre with Bramall supervising the episode 'Family Tree' (30th May 1973). This was followed by work on another drama anthology, Love Story, with Bramall directing the story 'Walter' (20th November 1973) which saw his first professional pairing with producer Nicholas Palmer. Bramall was a regular director on the second and third seasons of The Kids From 47A between 1973 and 1974, and it was on this series that he first came into contact with Linda Marchal whom he would cast in a supporting role in his Beasts episode 'Special Offer'. In all Bramall directed four episodes of The Kids From 47A scripted by Marchal. He was also appointed as the producer, his first credit in this capacity, for the third season of the series which transmitted between August and October 1974. For the Christmas season Bramall directed a one-off adaptation of The Little Match Girl (24th December 1974).


Prior to Beasts Bramall directed two episodes of Hunter’s Walk; 'Say Nothing' (6th July 1976) and 'Missing' (3rd August 1976). His Beasts episode was next. Post-Beasts Bramall turned his attention to one off drama, a musical called The Dancing Years (1976), starring Anthony Valentine, and a two part storyline for The Cedar Tree – 'Cause for Concern' (13th and 14th December 1976).

The majority of his work for the year was on The Cedar Tree with Bramall overseeing twelve episodes between January and July 1977. His remaining productions for 1977 was an episode of ATV’s drama series Cottage To Let – 'The Last Day' (9th August 1977), written by Dave Martin and Bob Baker, and The ITV play story 'Are You Stone Cold, Santa Claus?' (24th December 1977). He then returned to children’s drama to oversee all seven episodes of the second series of A Bunch of Fives (12th April – 24th May 1978).

Bramall made his final contribution towards The Cedar Tree in August 1978 and also directed two episodes of the drama series The Foundation – 'Tactics' (29th September 1978) and 'Commitments' (6th October 1978). His final ATV production was directing an episode of the anthology drama series Heartland – 'Last Knockings' (12th January 1980). Nicholas Palmer, who had asked Bramall to work on Beasts, was the producer of this set of one-hour plays on the theme of love.

Bramall left ATV to go freelance and he soon picked up work on the third season of the hit BBC series All Creatures Great and Small directing four episodes. For Thames he undertook directing duties on an episode of police cadets drama The Squad – 'Wheels' (5th November 1980). It was then back to the BBC to direct the Sunday afternoon classic series The Talisman (30th November 1980 – 25th January 1981) for producer Barry Letts. Although the action was set in Palestine the recording was based in London with studio interiors at the Cardiff BBC studios. It was back to Thames Television next with a contribution to the children’s drama anthology series Theatre Box – 'You Must Believe All This' (24th December 1981). For Scottish Television he directed two episodes of Skin Deep, a drama series about two sisters living in Glasgow. Bramall was responsible for the opening episode, 'Sisters' (22nd June 1982), and the later episode 'Changes' (12th August 1982). He returned to Thames, this time working for the children’s drama department, to direct the series S.W.A.L.K. (9th November – 14th December 1982) which was transmitted by Channel 4. Nicola Cowper played a teenager, Amanda, who lives her life through the world of teenager’s magazines. The series featured visualisations of her fantasies and Prunella Scales as an agony aunt who gives terrible advice.


For the BBC Bramall then directed ten episodes of One By One, a series based on the real life exploits of international zoo vet David Taylor (renamed Donald Turner in the series). Bramall’s episodes spanned the first and second series transmitted between February 1984 and March 1985.For the children’s anthology series Dramarama he directed by the episode 'Dodger, Bonzo and the Rest' (4th June 1984). After completing work on One By One Bramall worked on Storyboard, a series of single dramas designed to be pilots for potential series, directing the episode 'King and Castle' (20th August 1985) which starred Nigel Planer and Derek Martin as a pair of debt collectors. He also directed a television presentation of 'Moliere' (27th October 1985) as part of the series Theatre Night. Anthony Sher starred.

Work for Thames continued with Bramall contributing towards two episodes of Ladies in Charge including debut episode 'Zoe’s Fever' (6th May 1986). Next was a second episode of Dramarama – 'Jessie’s Place' (25th September 1986). This was followed by two episodes of Bergerac and a single episode of The Bill – 'Skipper' (23rd November 1987). Between July 1988 and March 1989 Bramall was also the producer of The Bill working on over thirty episodes.


Following this he oversaw two episodes of Waterfront Beat (3rd and 24th February 1990), a Phil Redmond created series featuring the policing of the Liverpool Docks. Between April 1990 and February 1991 he was the producer on Eastenders. He also produced two seasons of the BBC drama series Growing Pains during 1992 and 1993.

His next director engagement was on the eighth season of Casualty with Bramall overseeing four episodes between October 1993 and January 1994. His final directing credit was on a single episode of the soap opera Emmerdale (1st December 1994). His final credit as a producer was the three part children’s drama Pigeon Summer (18th September – 2nd October 1995).

After retiring from the world of television Bramall became a church pastor in Chichester, West Sussex and retrained as a life coach as well as lecturing at Portsmouth University. He passed away on 3rd March 2020, aged 75, from a terminal brain tumour. At the time of his passing his wife, Diana, said “He was gregarious and adventurous. He was someone who wanted the best for everyone. He was a man who loved people, meeting people and being engaged with them.[1]


[1] https://www.chichester.co.uk/news/people/gregarious-community-man-threw-himself-everything-2502778 (accessed 3rd November 2020)


James Dark (Costume Designer - The Dummy)


Dark worked in the ATV costume and wardrobe department during the 1970s notching up credits on Carry on Laughing (1975), the Beasts episode 'The Dummy', episodes of The Muppet Show during 1978, 'The Ghost in the Pale Blue Dress' (20th May 1978) - an episode of the anthology series Scorpion Tales, and the Edward Woodward /Jane Wymark vehicle The Bass Player and the Blonde (1978).

Between 1976 and 1981 he was the main costume designer for The Muppet Show, clocking up over thirty episodes. For these productions he was credited as Jimmy Dark. He had a sole credit on the drama anthology series ITV Playhouse with the intriguing episode 'Sin With Our Permission' (26th May 1981), a science fiction flavoured play set in the future in a new town which is under constant surveillance. The town also has a daily soap opera which provides a platform for solutions for problems occurring within the town.

During the 1980s he was credited as a costume designer and as such he enjoyed credits on the sitcoms The Other ‘Arf (1980) and Girls on Top (1986) as well as period comedy dramas Flickers (September – October 1980), Pictures (February – March 1983) and The Bretts (1988 – 1989). He also contributed towards the children’s football drama Murphy’s Mob (1985).

Between 1990 and 1993 and worked on the sitcom The Upper Hand[1] and this appears to have been his television swansong.

TV Credits
1975 Thriller – 'A Midsummer Nightmare', Carry on Laughing
1976 Beasts – 'The Dummy'
1976 – 1981 The Muppet Show
1978 Scorpion Tales – 'The Ghost in the Pale Blue Dress', The Bass Player and the Blonde
1979 Bob Hope at the London Palladium
1980 The Other ‘Arf, Flickers
1981 ITV Playhouse – 'Sin with Our Permission'
1983 Pictures
1985 Murphy’s Mob
1986 Girls on Top
1988 – 1989 The Bretts
1993 The Upper Hand




[1] This was the UK version of the American sitcom Who’s The Boss? The UK version starred Joe McGann and Honor Blackman.

Richard Lake (Designer - The Dummy)


Richard Lake was a staff designer at ATV working on drama and light entertainment shows from the 1950s. His first traceable credit was for the family comedy Wolfe at the Door which ran for three episodes from 18th June 1956. The programme was a vehicle for the English comedy performer Digby Wolfe shortly before he moved to Australia, and later, the USA.

Lake then moved on to supply set designs for various programmes ranging from light entertainment such as Val Parnell’s Spectacular, children’s programmes including Noddy in Toyland (1957) and thriller series The Web (21st December 1957 – 1st February 1958). Laker continued to work in all areas of programming at ATV as a new decade dawned with his design work on drama series such as Probation Officer and Ghost Squad, comedy productions including The Benny Hill Show and Hancock and variety shows such as Val Parnell’s Sunday Night at the London Palladium. Laker was also given assignments on documentary and educational series such as Discovering Japanese Art and About Religion.

Career highlights during the mid-60s including set design on a couple of ITV Play of the Week productions – 'Finesse in Diamonds' (5th April 1965) and 'The Cabbage Tree Hat Boys' (13th December 1965) and the first season of the hit sitcom George and Dragon starring Sid James and Peggy Mount (19th November – 24th December 1966).

By the end of the decade Lake seems to have concentrated on light entertainment programmes with work on series including The Liberace Show, The Frankie Howerd Show and The Engelbert Humperdinck Show. However, as the 1970s began Laker worked on a run of drama productions including five episodes of the anthology drama Love Story, Thriller episode 'A Place to Die' and two episodes of Crime of Passion. For director Robert Tronson he worked on an episode of Hunters Walk, 'Kids' (22nd July 1974), and an episode of Father Brown – 'The Hammer of God' (26th September 1974).

Prior to his set designs for Beasts Lake worked on the comedy series Carry on Laughing. For Beasts Laker would work on the episodes 'The Dummy' and 'Baby'. Post Beasts Laker was assigned to work on the ATV play 'Cottage to Let' (13th June – 30th Auguts 1977) for director Richard Bramall and the first episode The Foundation (8th July – 26th August 1977). He also contributed to the sitcom A Sharp Intake of Breath and an episode of the anthology series Scorpion Tales – 'Easterman' (29th April 1978). Between 1978 and 1980 Lake is credited as the art director on six episodes of The Muppet Show.

The 1980s would bring work on the single drama Donkey’s Years (1st Janaury 1980), drama series Flickers (17th September – 22nd October 1980) and an adaptation of the children’s classic Vice Versa (29th September – 10th November 1981). Lake’s final ATV credits included the comedy productions Pictures (11th February – 25th March 1983) and Goodnight and God Bless (12th April – 17th May 1983).

TV Credits
1956 Wolfe at the Door
1957 Saturday Spectacular, Noddy on Toyland
1958 Web
1959 – 1961 Probation Officer
1960 The Benny Hill Show, Theatre 70 – 'The Gold Inside'
1961 Flying High, Winning Windows, Val Parnell’s Sunday Night at the London Palladium
1962 Drama ’62: 'Luck of the Draw'
1963 Hancock – 'The Night Out' / 'The Early Call', Ghost Squad, Discovering Japanese Art
1965 About Religion, ITV Play of the Week – 'Finesse in Diamonds' / 'The Cabbage Tree Hat Boys'
1966 Mrs Thursday – 'The Snows of Yesteryear', George and the Dragon
1967 Spotlight
1968 Showtime
1969 The Power Game – 'The Outsider', The Liberace Show, The Frankie Howerd Show, Love Story – 'Ensign to the Cannon Proud'
1970 The Engelbert Humperdinck Show, Honour and Offer, ITV Playhouse – 'A Family and a Fortune'
1972 Saturday Variety, Love Story – 'You Don’t Know Me, But ….' / 'Once Upon A Time' / 'Alice'
1973 Love Story – 'Two Tame Oats', Crime of Passion – 'Claudine' / 'Gerard', Thriller - 'A Place to Die'
1974 Hunter’s Walk – 'Kids', Father Brown – 'The Hammer of God'
1975 Carry On Laughing, Thriller – 'A Look Back in Happiness' / 'Dial a Deadly Number'
1976 Thriller – 'The Next Victim', Beasts – 'The Dummy' / 'Baby'
1977 Cottage to Let
1977 – 1978 The Foundation
1978 A Sharp Intake of Breath. Scorpion Tales – 'Easterman'
1978 – 1980 The Muppet Show
1980 Donkey’s Years, Flickers
1981 ITV Playhouse – 'Sin with Our Permission', Bud ‘n’ Ches, Vice Versa
1983 Pictures, Goodnight and God Bless



James Giles (Sound Mixer in The Dummy)

Giles was an actor whose career flourished in the 1970s with appearances throughout the decade in several popular television series. One of his earliest credits was playing the role of Johnny Grant in 'The Travelling People' (20th June 1973), an episode of the series Sutherland’s Law.

He was seen as Angus in the very first episode, 'Arrival' (1st September 1975), of the BBC medical soap opera Angels. This was followed by an appearance in the Sykes episode 'Marriage' (28th November 1975) playing a vicar. Giles played McNab in three episodes of the political drama Bill Brand; 'You Wanna Be A Hero, Get Yourself A White Horse' (14th June 1976), 'Anybody’s' (2nd August 1976) and 'Revisions' (9th August 1976).

Just prior to his appearance in Beasts he appeared in the BBC 2 Playhouse production 'The Mind Beyond: Meriel, The Ghost Girl' (29th September 1976) portraying the character of Mr Craig. After his role as the film sound mixer in 'The Dummy' Giles’ appearances on television become less prolific. He had a small role as a man outside a pub in the British thriller film Double Exposure (1977) and played Mr Bolton in the second episode of the second season of the BBC children’s drama Grange Hill (5th January 1979).

At present I can find no further film or television credits for him

TV Credits
1973 Sutherland’s Law – 'The Travelling People'
1975 Angels – 'Arrival', Sykes – 'Marriage'
1976 Bill Brand (as McNab), The Mind Beyond – 'Meriel the Ghost Girl', Beasts - 'The Dummy'
1979 Grange Hill – 'Just Awful' / 'Goodbye Judy'

Film Credits
1977 Double Exposure

Sunday, 24 September 2023

News Update: New live event in Birmingham, new music release announced and radio drama broadcast



It has been another busy few weeks for announcements connected to Quatermass and the work of Nigel Kneale so here is a round up.

Almost seventy one years to the day since it was first heard on the radio a new version of Kneale's long-lost play You Must Listen aired on BBC Radio 4 on 20th September. Produced by Simon Barnard for Bafflegab Productions the play starred Toby Jones, Caroline Catz and Reece Shearsmith and was recorded to mark the centenary of BBC Radio Drama.

Originally broadcast in September 1952 You Must Listen is set in a solicitor's office that has a new phone line connected, but the staff keep hearing a woman's voice on the phone. Engineer Frank Wilson is called to fix the problem, and gradually the disturbing story of the woman starts to emerge.

Follow the link below to listen to this production
https://www.bbc.co.uk/sounds/play/m001qmdp


The Stone Tape - Analysing A Ghost By Electronic Means is a new compilation of electronic music inspired by Kneale's 1972 play The Stone Tape. The sixteen track tape compilation which blends reimagined theme tunes and Radiophonic incidental motifs with dark ambience and hauntological synth explorations. The artists involved in this release come from some of the finest electronic and experimental labels currently operating in the UK, such as Wayside & Woodland, Clay Pipe, Castles in Space & Spun Out Of Control.

The release comes in a limited edition tape format along alongside downloadable digital format. For more details and to stream some tracks go to
https://hiddenbritain.bandcamp.com/album/the-stone-tape-analysing-a-ghost-by-electronic-means


Jon Dear, who recently co-produced the 70th anniversary reading of The Quatermass Experiment at Alexandra Palace in London, has announced a new Quatermass event at the MAC in Birmingham. Both existing episodes of the TV version of The Quatermass Experiment and will be introduced by Quatermass experts Jon Dear and Toby Hadoke (the latter currently penning a book on Quatermass) and hosting a panel afterwards to discuss the show’s fascinating production and the huge legacy of Nigel Kneale’s work. For more details and to book a ticket the click the link below.

https://macbirmingham.co.uk/event/the-quatermass-experiment-70th-anniversary




Friday, 15 September 2023

Festival of Fantastic Films book launch

The Festival of Fantastic Films in Manchester have announced the full line up of guests, film screenings and events taking place between Friday 20th October and Sunday 22nd October. 

The Book of Beasts will be launched on Sunday with screenings of the episodes Baby and During Barty's Party. Jane Wymark will be attending the screenings and will be interviewed on stage beforehand. There will also be a panel discussion about the series involving Jane, myself and some very special guests. Click on the image below for details of all three days.

I will be signing copies of my book on the day and these will be available from the Headpress store all weekend. Hope to see you there!



Tuesday, 12 September 2023

Ruby Head (Tea Lady in The Dummy)



Born as Ruby Kathleen Head in Totnes, Devon on November 14th 1916 Head would carve out a respectable stage career with the Royal Shakespeare Company as well as balancing film and television roles. In both of these careers she was usually seen in small and supporting roles though she occasionally undertook bigger roles in local and repertory theatre. Head attended RADA where she was received several awards for her acting ability including the Public Performance Award in 1936.

Ruby had a television career that stretched back to the very start of the medium before the Second World War. Her first TV credit appears to have been the BBC play Doctor Knock (17th January 1938) which was adapted from a story by Jules Romains. Her character is not credited with a name. Badger’s Green (22nd June 1938) was another BBC adaptation of a stage play, this time from the mind of R C Sherriff, and featured her future 'The Dummy' co-star Thorley Walters in the cast. Next was the short comedy film Queens of France (20th November 1938) and another uncredited role. Her final TV appearance before the start of the Second World War was as Cathy, a maid, in a production of the play Rake’s Progress (26th April 1939). Head would eventually return to the small screen, but after a considerable break.

Her first post-war role was as a shop customer in the Dixon of Dock Green episode 'The High Price of Freedom' (13th October 1962) and followed by the role of Barbara’s mother in two episodes of the BBC adaptation of Charles Dickens’ The Old Curiosity Shop (6th January 1963 and 10th February 1963). Over the next few years she established herself a character niche as middle aged married women or housewives with a succession of roles in ongoing series including playing Mrs Quade in 'The Edge of Discovery' (13th May 1963), an episode of anthology series Suspense, Mrs Biggins in the Sergeant Cork story 'The Case of the Wounded Warder' (29th August 1964), Mrs Manning in 'The Commuters' (29th September 1964), an instalment of the themed drama anthology Love Story, and Mrs Taylor in 'The Quiet Load' (26th January 1965) an episode of Front Page Story. She also played the role of Alice in the Love Story episode 'In Loving Memory' (28th July 1964).

Her stage credits for 1964 included Philadelphia, Here I Come at the Dublin Gate Theatre during October as part of the Dublin Theatre Festival, and The Bacchae at the Mermaid Theatre between February and March 1964. Back on television Head was cast as a landlady in 'First Offender' (3rd December 1965) an episode of the ITV drama anthology series Blackmail. The rest of the decade saw Head more active in the area of theatre which limited her television appearances.

During 1967 her stage work included a production of Isaac Babel’s Marya at the Royal Court theatre during October. Written in Russia during 1933 Marya was banned in 1934 and was never performed in the Soviet Union. This was the play’s debut performance in the UK. During 1968 she was attached to the Royal Shakespeare Company appearing in productions of The Merry Wives of Windsor and Julius Caesar. Head then made a rare film appearance, possibly one of her more recognisable roles, as Edith in the film version of the BBC play Up the Junction (1968).

As part of the Royal Shakespeare Company she was involved in a stage production of Ben Johnson’s Bartholomew Fair staged at the Aldwych theatre during October 1969. This was followed by a run of The Revenger’s Tragedy, also for the RSC and in the same venue, during November and December. Back on television she undertook the roles of Mrs Krause in a single episode of The Silver Sword (5th September 1971) and of Mrs Hunter in 'Smith' (3rd December 1971), an episode of the superior BBC horror anthology series Dead of Night. Sadly this is one of the missing episodes of the series. She was a hospital matron in the Special Branch instalment 'Inquisition' (18th April 1973), and prior to appearing in Beasts, she could be seen as Mrs Rivallack in the fifth episode (5th June 1975) of the original Poldark series. Stage work for the year of 1975 included The Doctor’s Dilemma at The Mermaid theatre during April and May.

Her next role was as the tea lady in Beasts and this was followed by Head undertaking the role of Mrs Dibble in two episodes a BBC version of Little Lord Fauntleroy (5th and 19th December 1975). The director of the series, Paul Annett, had previously worked on the horror anthology series Dead of Night and ATV’s anthology Against the Crowd. It was Annett that cast Head in the role of Joan in 'She: Carol' (17th April 1977), an episode of the London Weekend Television drama anthology Seven Faces of Woman. Head also had a recurring role as Lily the Maid in the romantic drama Love For Lydia (9th September – 2nd December 1977). Stage work for this period included Factory Blinds at RSC’s Warehouse Theatre over November 1977 followed by a RSC production of The Alchemist at the Aldwych theatre. During January 1978 she was engaged to appear in the play Frozen Assets produced at the Warehouse theatre in London. This was also a RSC production. Head popped up in the role of Mrs Tompkins in 'The Virus' (19th February 1978), an episode of the sitcom Two’s Company, before moving on to the BBC Play of the Week instalment  'Iron Age' (17th May 1978) in the small role of a doctor’s widow. She also turned up in episode three of the sporting drama Fallen Hero (28th November 1978). Her final television appearance for the year was in the BBC single drama Thank You, Comrades (19th December 1978). Following this Head featured in the Alan Bennett play One Fine Day (17th February 1979) in a small unnamed role and was credited as Madame Gladwin in 'A Day At The Metropole' (25th February 1979), an episode of the Upstairs Downstairs spin-off Thomas and Sarah. She essayed the role of Mrs Holley in two episodes of A Question of Guilt (8th and 10th April 1980) before another rare recurring role, this time as Aunt Ethel Wagstaff, in Turtles Progress, which ran for two seasons between 1979 and 1980. Another rare, and equally memorable, film role was as Harold’s mother in the British gangster drama The Long Good Friday (1980). Next was an appearance in the Thames Television production Never Never Land (25th December 1980) which capped the year’s work. Between 1980 and 1982 she had a recurring role as Mrs Whicker in the sitcom Nobody’s Perfect, a vehicle for American actress Elaine Stritch. More comedy work followed with 'Little Green-Eyed Monster' (19th April 1983) an episode of the Central sitcom Goodnight and God Bless.

Head was still committed to working with the RSC with roles in their theatre production Philistines in 1985 and Mephisto at the Barbican in 1986. During April and May 1987 she was involved in lunchtime performances of Harold Pinter’s Family Voices at Lyric Studio, Hammersmith. Fellow Beasts cast member Mark Dignam was also involved in the production. One of Ruby's final television roles was as Mrs Bates in an episode of the action thriller series Dempsey and Makepeace – 'Not Without Cause' (7th December 1987). Head passed away, aged 80, on 12th October 1997 in Denville Hall[1], Northwood, London.


[1] Denville Hall is a retirement home for professional actors and other theatrical professions